Day-And-Date: Teen Titans 2, Aquaman 2, Flash 2, Superman 2

Teen Titans 2
Writer: Scott Lobdell
Artists: Brett Booth & Norm Rapmund
Rating: 4 out of 5 Pixels

I'm still digging this. Yes, they've thrown out previous continuity and yes, Bart and Cassie's personalities have been revamped, but goshdarnit, that's Tim Drake, without a doubt, and how can I not love a story about Tim Drake investigating a worldwide conspiracy and trying to save his fellow teen heroes? Also, we get confirmation this issue that there have in fact been Teen Titans before, contrary to what Bobbie Chase said at the New York Comic Con, but in line with what Scott Lobdell has said previously and with what Bette Kane said in Batwoman. Yay!

Aquaman 2
Writer: Geoff Johns
Artists: Ivan Reis & Joe Prado
Rating: 3.5 out of 5 Pixels

Continuing in the same vein as issue 1, this issue has people underestimating Aquaman and Aquaman being all badass to prove them wrong, but this issue also gives Mera a chance to be underestimated and to show off her badassedness in turn. Also, more of the creepy Trench creatures eating people. And lots of pretty pictures by Ivan Reis.

Flash 2
Creators: Francis Manapul & Brian Buccellato
Rating: 4 out of 5 Pixels

While Ivan Reis does beautiful art in Aquaman, Francis Manapul does beautiful, mindblowing comics art in Flash. Manapul is pushing boundaries here, really experimenting with the art of telling stories through pictures. Brian Buccellato's colors play a big role too. Check out this page of Flash using the speed force to master "augmented cognition" and boost his brain to superhuman levels:

The inset panels show his mind flipping through different possible outcomes of the details he sees. Trippy stuff.

Superman 2
Writer: George Perez
Artist: Jesus Merino
Rating: 3.5 out of 5 Pixels

Lots and lots of words by George Perez, and pretty pictures by Jesus Merino, including a great rear shot of Superman:

I'm saving this just in case I ever start a blog called Superman Butt's Forever.

A Month Late and a Dollar Short: The Last Flashpoint Friday

Flashpoint 5
Writer: Geoff Johns
Artists: Andy Kubert, Jesse Delperdang, & Sandra Hope
Rating: 2 out of 5 Pixels

In this finale that was meant to tie-up about twenty loose plot threads, introduce the biggest reboot in decades, and wow us all to pieces, Geoff Johns fails to deliver. Instead what we get is a story that takes us from Point A to Point B in a rather anticlimactic fashion, playing fast and loose with logic as it does so. Somehow, Barry saving his mother thirty years ago was "like a bullet shattering a windshield," altering time in every direction, in ways that no one bothers to explain. When the Flash runs, it's not so much about traveling from one place (or time) to another, but rather just the act of going really fast makes him magically appear wherever the story needs him to be, whether it's on his mother's couch or at his cosmic treadmill (which apparently exists in empty space, outside of reality) at the precise moment when he needs to be there in order to stop himself from saving his mother's life and thereby destroying the world. I can deal with these leaps of logic, though. Comic book laws of physics are typically... creative, especially when it comes to time travel and alternate realities. The thing that really bugged me about this issue, that made me just now drop the rating from 2.5 to 2 Pixels (even lower than I rated Red Hood and the Outlaws 1), is this scene:

See, Geoff Johns realized that if Barry decided to sacrifice his mom, even in order to save the entire world, he wouldn't come across as a hero. Rather, he'd come across as a douche who decided his mom's life wasn't worth everyone else's. So Johns writes in this scene where Barry's mom herself makes the decision to die in order to save the world, so instead of being the victim of Barry's douchery she's a hero, right? Except that this scene more or less comes out of nowhere, as far as characterization is concerned. We've seen Barry's mom for what, a few pages in the first issue or two of the series? If she was going to be the hero of this series, then she needed to be a bigger part of it all along. We needed to get to know her so that we'd understand that she's the type of person who sacrifices herself to save the world. We needed to care about her so that we recognize what this sacrifice means to her. Not what it means to Barry. Because this woman has been in the background for most of this series (as most women have), this scene comes across instead as her recognizing that she's not as important as the big (male) heroes, Flash and Batman and Cyborg, so she might as well just get out of the way so they can have their happy world back.

Sorry, Mr. Johns, I generally like your writing, but this just doesn't work for me. You created a (female) supporting character simply as motivation for the (male) main character, then tried to convince me that she's the hero of the story when in fact you just didn't want to make the main character look like a complete asshole. Bzzt. Try again.

Also, is it just me, or does Batman have a total double standard when it comes to fellow heroes who have tried to rewrite reality and in the process have killed innocents? Remember how he didn't forgive Green Lantern for years? This time, Flash tells him, "You know what? I just tried to go back in time and save my mom, but instead I created this new reality where millions of people suffered and died needlessly." And Batman is all like, "No worries, bro, it's cool."

Admit it, Batman, you just don't like Hal. It has nothing to do with him having been Parallax.

Day-And-Date: Teen Titans 1, Superman 1, Aquaman 1, Flash 1

This was a good week for comics. I enjoyed all four books I read and there wasn't any appalling hypersexualization of women in any of them. Good job, DC!

Teen Titans 1
Writer: Scott Lobdell
Artists: Brett Booth & Norm Rapmund
Rating: 4 out of 5 Pixels

I was pretty hesitant about this book after reading last week's Red Hood and the Outlaws, but I was pleasantly surprised by Teen Titans. Which makes me happy, because these are some of my favorite characters. I absolutely love Tim Drake here, as the veteran teen superhero trying to work behind the scenes, causing problems for the bad guys by blogging and wiki-leaking classified information. This is true to the character I have known since I first started reading comics. Bart Allen as glory hound isn't exactly as he's been portrayed in the past (he comes across a little more like the Timmverse version of Wally West), but it's not antithetical to his character in the way that sex-without-love blowup doll Starfire is, and there is a great moment where Bart demonstrates at once the impulsiveness of his Mark Waid era and the encyclopedic knowledge of his Geoff Johns era:

And then there's Cassie as car thief. Honestly, this doesn't seem out of character at all to me. Back when John Byrne first introduced the character, she became Wonder Girl by "borrowing" Diana's wig, gauntlet, and winged sandals. The character has always been a thief.

The overarching concept of the book, meanwhile, is a winner. In a world where people have superpowers, teenagers who have superpowers and do stupid things with them (regardless of good intentions) would be a real problem. The idea of teen heroes banding together to protect a world that fears and hates them is very X-Men, but it's enough of a twist on the concept that it doesn't feel overly derivative and in fact feels true to the core of Teen Titans. From the Fab Five (or was it Four at the time?) teaming up to fight their possessed mentors to Raven seeking out the teen heroes because the adults wouldn't trust her, the Titans have always been about superpowered teens coming together because grown-ups just don't get them. Thank you, Scott Lobdell, for not screwing this up.

Superman 1
Writer: George Perez
Artist: Jesus Merino
Rating: 3.5 out of 5 Pixels

I was impressed by how much bang this comic gives for my buck. Every page is packed with panels and every panel is packed with words. And then I remembered that George Perez wrote this, and (a) Perez comes from the old school where a 22-page comic should take more than five minutes to read, and (b) Perez likely writes as if he's going to be doing the art, and heaven knows he can pack a ton into a single page of art. I'm still digging Superman's new personality, which is a little toned down here compared to Action Comics, but that makes sense since this Superman is a few years older. He's still way more interesting than Superman has been in years.

Aquaman 1
Writer: Geoff Johns
Artists: Ivan Reis & Joe Prado
Rating: 3.5 out of 5 Pixels

In true Geoff Johns fashion, this comic is all about how awesome Aquaman is. It gets all metatextual with everyone being like, "Aquaman is lame" and "Did you see those SNL skits where they make fun of Aquaman?" and Aquaman is all like, "I'm too badass to even acknowledge your mockery of me." Not much happens, really, except that some Evil Creatures escape from The Trench and start Eating People (not sure why I capitalized that, it just seemed appropriate), Aquaman stops some bad guys, doesn't eat lunch, then tells Mera he's decided to live in the surface world. He doesn't really explain why, so one can only assume it's to prove to all the haters that he's the badassest superhero around. He does explain, however, that he doesn't talk to fish because fish are too stupid to talk, and therefore he has no problem eating them. I kind of dig this, as it goes against the obvious. I wonder whether Wonder Woman eats birds?

The Flash 1
Creators: Brian Buccellato & Francis Manapul
Rating: 3.5 out of 5 Pixels

This actually reads very much like a Geoff Johns-written comic, in a good way. You've got the character-defining bits of newly-revealed backstory, the off-beat sci-fi mystery, and the shocking last-page revelation. I'm not too bothered by the somewhat murky continuity, as all the necessary basics are here: Barry is the Flash, he's a CSI guy, he's kind of dating his coworker, and Iris West is a pushy reporter who will likely be the third corner of a love triangle. Also, not only has Barry stolen Wally's costume (a hybrid of his comics and animated costumes that actually looks pretty cool), but he also totally stole Wally's opening line:

A Month Late and a Dollar Short: Flashpoint Friday

Because I don't feel like writing full reviews, a sentence or two on each of this week's month-old Flashpoint tie-ins:

Flashpoint: Deathstroke and the Curse of the Ravager 3
See, this is why I will not be buying the new Deathstroke series: No matter what version of reality he's in, Slade Wilson is a skeevy old man who sleeps with teenage girls. The fact that he's just finished boning a girl his daughter's age makes it uber-creepy when he says things like "Every bone in my body wants to take my daughter in my arms."

Flashpoint: Deadman and the Flying Graysons 3

This picture made me wonder how much time Starfire spends waxing:

In the spirit of yesterday's post, I'm happy to say that Starfire is not the only one looking ridiculously sexy in this issue:

Yes, Deadman, yes it is. And a nice body to go with it too. Thank you, Fabrizio Fiorentino.

Flashpoint: Citizen Cold 3
Of all the deaths in Flashpoint, it's Wally West's that makes me the saddest, because even though I know it doesn't "count," it looks like this is the last we'll see of the character for a while.

Flashpoint: Frankenstein and the Creatures of the Unknown 3
Okay, Jeff Lemire, you've convinced me to give Frankenstein, Agent of S.H.A.D.E. a try. Damn you.

Flashpoint: Emperor Aquaman 3
So will the unknown final fate of Mera's severed head be a major plot point in Flashpoint 5, or is this just a really strange throwaway line?