Writer: Geoff Johns
Artists: Andy Kubert, Jesse Delperdang, & Sandra Hope
Rating: 2 out of 5 Pixels
In this finale that was meant to tie-up about twenty loose plot threads, introduce the biggest reboot in decades, and wow us all to pieces, Geoff Johns fails to deliver. Instead what we get is a story that takes us from Point A to Point B in a rather anticlimactic fashion, playing fast and loose with logic as it does so. Somehow, Barry saving his mother thirty years ago was "like a bullet shattering a windshield," altering time in every direction, in ways that no one bothers to explain. When the Flash runs, it's not so much about traveling from one place (or time) to another, but rather just the act of going really fast makes him magically appear wherever the story needs him to be, whether it's on his mother's couch or at his cosmic treadmill (which apparently exists in empty space, outside of reality) at the precise moment when he needs to be there in order to stop himself from saving his mother's life and thereby destroying the world. I can deal with these leaps of logic, though. Comic book laws of physics are typically... creative, especially when it comes to time travel and alternate realities. The thing that really bugged me about this issue, that made me just now drop the rating from 2.5 to 2 Pixels (even lower than I rated Red Hood and the Outlaws 1), is this scene:
Sorry, Mr. Johns, I generally like your writing, but this just doesn't work for me. You created a (female) supporting character simply as motivation for the (male) main character, then tried to convince me that she's the hero of the story when in fact you just didn't want to make the main character look like a complete asshole. Bzzt. Try again.
Also, is it just me, or does Batman have a total double standard when it comes to fellow heroes who have tried to rewrite reality and in the process have killed innocents? Remember how he didn't forgive Green Lantern for years? This time, Flash tells him, "You know what? I just tried to go back in time and save my mom, but instead I created this new reality where millions of people suffered and died needlessly." And Batman is all like, "No worries, bro, it's cool."
Admit it, Batman, you just don't like Hal. It has nothing to do with him having been Parallax.
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